Chapter VI

THE HABIT OF PERFECT EXECUTION

   The Habit of turning out Imperfect Work.—‘Throw perfection into all you do’ is a counsel upon which a family may be brought up with great advantage. We English, as a nation, think too much of persons, and too little of things, work, execution. Our children are allowed to make their figures, or their letters, their stitches, their dolls’ clothes, their small carpentry, anyhow, with the notion that they will do better by-and-by. Other nations—the Germans and the French, for instance—look at the question philosophically, and know that if the children get the habit of turning out imperfect work, the men and women will undoubtedly keep that habit up. I remember being delighted with the work of a class of about forty children, of six and seven, in an elementary school at Heidelberg. They were doing a writing lesson, accompanied by a good deal of oral teaching from a master, who wrote each word on the blackboard. By-and-by the slates were shown, and I did not observe one faulty or irregular letter on the whole forty slates. The same principle of ‘perfection’ was to be discerned in a recent exhibition of school-work
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held throughout France. No faulty work was shown, to be excused on the plea that it was the work of children.

          A Child should Execute Perfectly.—No work should be given to a child that he cannot execute perfectly, and then perfection should be required of him as a matter of course. For instance, he is set to do a copy of strokes, and is allowed to show a slateful at all sorts of slopes and all sorts of intervals; his moral sense is vitiated, his eye is injured. Set him six strokes to copy; let him, not bring a slateful, but six perfect strokes, at regular distances and at regular slopes. If he produces a faulty pair, get him to point out the fault, and persevere until he has produced his task; if he does not do it to-day, let him go on to-morrow and the next day, and when the six perfect strokes appear, let it be an occasion of triumph. So with the little tasks of painting, drawing, or construction he sets himself—let everything he does be well done. An unsteady house of cards is a thing to be ashamed of. Closely connected with this habit of ‘perfect work’ is that of finishing whatever is taken in hand. The child should rarely be allowed to set his hand to a new undertaking until the last is finished.